Chapeaux pointus, gesticulations inutiles et beauté enneigée à Montpellier danse

“Finally, Amala Dianor’s dancing is quieter than what we are used to -- (…) Here he presents his first official work, in which he deconstructs the academic side of ballet in The Falling Stardust, symbolically fairly significant here. The dancers are all in black, dancing to sporadically symphonic music, the movement is hybrid, crossing lines all over the place. Unsettling, Amala Dianor proves emphatically that ballet, contemporary dance and hip hop dance can work together quite well.”

François Delétraz